
"Shockingly
funny, disturbing and tragic ..." (Susan Josephs, The
Jewish Week, New York)
"Gimme a
Kiss is a compelling, moving, and often troubling investigation of family
secrets.
Lilly Rivlin's parents are a fascinating subject and, by the end, the filmmaker's probing camera yields the
facts -- but not necessarily the answers.
We are left with haunting images rather than judgment."
(Annette Insdorf, Author, "Indelible Shadows: Film and the Holocaust"
Director, Undergraduate Film Studies, Columbia University)
"Very beautifully done,
in Gimme A Kiss, Lilly Rivlin exhibits remarkable access
to her family. It's a story about love, where it is
and where it isn't. The filmmaker is very skillful in noticing love where it doesn't appear to be."
(Albert Maysles, filmmaker)
"It seemed to me quite the
most interesting, bravest and most complex family portrait among the many I have seen. It reminded me of
Gray Gardens." (Professor Michael Roemer, Film Making and American Studies, School of Art, Yale University)
"Powerful, fascinating, engrossing,
honest, painful story of a family betrayed by a husband and father." (Lucy Komisar, author)
"Brilliant moving, disturbing,
thought provoking, inspirational, wistful, raw -would like to see it again, and again. It has depth,
a real tribute to the triumph of the human spirit and the quest
for understanding (which we never do completely) our parents." (Ana Freiberg
)
"Gimme
a Kiss starts with a journey of discovery urged on by the
threatened loss of a beloved parent, and the anxious sense that
all is not what it once seemed to be in the heart of post-war
Jewish American family. Lilly Rivlin takes us gently and courageously down
the road of family secrets, exposing how love, desire, propriety, and
less tolerant historical times conspire to create convenient
fictions. This is a personal narrative that opens up brave if
disturbing questions that intersect many family dramas." (Faye
Ginsburg, Director, Center for Media, Culture and History, New
York University)
"The
best noir film I've ever seen "
(Amy Stone, writer)
"Gimme
a Kiss was totally unique, compelling and very brave. "
(Letty Cottin Pogrebin, author)
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"It is a powerful and compelling film." (Nick Fraser, Commissioning Editor, Storyville, BBC)
"Lilly Rivlin has crafted a smart,
funny and disturbing tale of her emotionally distant father and the discovery of his long history of incessant
womanizing while wife and mother looks on stoically... GIMME A KISS is an in-your-face
and up-a-little-too-close reminder of the balancing act of family
relations." (Alex MacKenzie, Director Vancouver Underground Film Festival
)
"Superb. Painful. Necessary." (Leonard Wolf, author)
"That was moving, I was touched -
what a family story.
I ran home to give my son a bath
and tell him I love him."
(Mark Benjamin, Director of Photography)
"...a
wonderful, magnificent, sensitive, feeling, revealing compassionate, and
above all universal piece of work... A classic, a moving and
enduring portrait of a family and modern family relationships that
will touch everyone...a real search into the hard pieces of the soul."
(Professor Alan Rosenthal, author, filmmaker & film critic Hebrew University, Jerusalem)
"
The film is a profoundly moving look at issues of family life,
lifelong struggles, and family secrets as viewed through Lilly's
own parents and siblings. I am still thinking of the ways in which
her painfully open and undefended willingness to air difficult
feelings can touch us as children, parents and siblings in our
own lives."
(Larry Zelnick, psychologist)
"
Gimme a Kiss has layers under layers, and each viewing alters
the viewer. The first time seeing the film the father is the
villain, clearly. The second time, one sees not only the rage of
the family but, at his death, their tears. And the father is such
a life-force that the picture pales without him, and yet there he is
care-taking, who knows why?, laughing, tickling, and, without limbs,
so physical. And his Black mistress describe him as a friend of
the Black community and seen as the enemy by the Whites. Who was
he? It is, in a strange way, a love story and a mystery. All honor
to the film-maker who could conquer her rage enough to see through the end."
(Esther M. Broner, author)
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